Cast out of his insular community, a damaged and down on his luck man teeters between a life of crime and the path to redemption.
60-something Henri meets 50-something Lila, and sparks fly - until they both must reconcile their very different lives and backgrounds.
Fastlife: always go further, faster, to shine in the eyes of others: this is the motto of Franklin. Franklin is a megalomaniac obsessed by the desire to shine at any price. He will have to choose between becoming a man or continue to live the Fastlife...
The sequel to The Visitors reunites us with those lovable ruffians from the French Medieval ages who - through magic - are transported into the present, with often drastic consequences. Godefroy de Montmirail travels to today to recover the missing family jewels and a sacred relic, guarantor of his wife-to-be's fertility. The confrontation between Godefroy's repellent servant Jack the Crack and his descendent, the effete Jacquart, present-day owner of the chateau, further complicates the matter.
After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.
Moussa Théophile Sowie a suivi une formation notamment à l'Institut des études théâtrales Paris III Sorbonne Nouvelle et à l'Ecole d'art dramatique Jacques Lecoq à Paris. Il a joué au théâtre dans Chute et Jeanne au bûcher mise en scène Claude Régy Le chariot de terre cuite mise en scène Patrick Le Mauff, Tabataba et Combat de nègre et de chiens mise en scène M. Touré, Dans la solitude des champs de coton mis en scène Anita Picchiarini, 9 mm mis en scène Stéphanie Loïk, La voix du griot mise en scène Sotigui Kouyaté, L'île des esclaves mise en scène D. Lardenois?. Au cinéma il a joué Le postier dans "Les visiteurs" (Jean-Marie Poiré, France, 1993) et "Les Couloirs du temps : Les visiteurs II" (Jean-Marie Poiré, France, 1997) avec Christian Clavier et Jean Reno. Ou encore Maurice MPOLO dans "Lumumba" (Raoul Peck, Haïti, 2000), "La note bleue" d'Andrzej Zulawski, "L'Afrance" de Alain Gomis, "Magnolia" de I. Smidt, "Moolaadé" de Ousmane Sembene? A la télévision il a travaillé sous la direction de Yves Renier, P. Jamain, P. Roy, P. Lefebvre?
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