The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
Large women with a zest for life gather weekly at a Montreal doctor's office to receive diet injections.
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
Actress Suzanne Cloutier is interviewed about "Othello", Orson Welles' masterpiece, in which she played Desdemona.
The film recalls Orson Welles’ Italian period. “Rosabella” is the translation, proposed by the first Italian adaptation, of “Rosebud,” the object at the center of the story of Charles Foster Kane, the main character of Citizen Kane (1941), Welles’ debut film.
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