An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.
When 11-year-old Ana travels to her grandmother’s funeral in a town in the state of Rio Grande do Sul, strange things begin to happen. Next to her family’s house lies a forest, and within it a magical world inhabited by ghosts, wolves, and all sorts of fantastic beings. In the course of a carnival holiday, a family mystery linking her grandmother and her mother must be unraveled through intuition and courage. Only then will the wounds of the past be healed to re-enchant the present.
Two families on neighboring farms on the border between Brazil and Uruguay. Decades drive these people away. The physical proximity is separated by a fence and the set of prejudices, inexplicable hatred and lack of generosity. In the end of the year, between Christmas and New Year, the families gather on their respective farms. What nobody knows is that a love between two young people is about to break this barrier that is much bigger than the fence that divides the fields. The passion between Rodrigo and Juliana could be the point of recovery for a relationship marked by so many years of hatred, but, like Shakespeare's original story, the human being is much more complex and inexplicable. Whether in Verona, Italy, or on a border farm. Tragedy lives inside people and is sometimes impossible to control.
From Germany to Israel, Sweden to Brazil, girls and women face up to their wants and desires - their passions past, and lovers present. A mix of laughter, tears and warm inside feels, come and enjoy these tales and fall in love with the stories upon her lips.
Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.
A young lesbian finds her grandmother's eccentric WW2 lover living beneath a swimming pool.
On the evening of Valentine's Day, Celina, a 75 years old woman, summons a young call girl with the same physical characteristics that defined her decades ago.
Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.
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