For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
A behind-the-scenes look at the making of Glauber Rocha's 1980 production "A Idade da Terra" (The Age of Earth), including unedited clips taken from the sixty hours of recovered raw footage.
Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
In Vitória, the middle-age piano teacher Gertrudes sublets her apartment to two younger women, the unstable Lúcia and the nurse Madalena. Gertrudes misses and daydreams her former love and has a motherhood relationship with Lúcia; Madalena has a promiscuous life, having one night stand with the most different men every day and her behavior is criticized by Gertreudes; and Lúcia is dreamer that manipulates Gertrudes and expects that the handyman Alfredo becomes her prince charming. Their conflictive relationship ends when Madalena discloses their inner feelings and secrets to each other.
Norma Aparecida Almeida Pinto Guimarães d'Áurea Bengell (Rio de Janeiro, February 21, 1935 – Rio de Janeiro, October 9, 2013) was a Brazilian actress, filmmaker, producer, singer and songwriter. Considered one of the greatest muses of Brazilian cinema and theater in the 1950s, 1960s and 1970s, Norma began her career in the early 1950s, being launched into the artistic world through revue theater by producer Carlos Machado. She acted in 64 films during her career, several of them in Europe.
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