The School For Wives, at its core, is about gender power dynamics. We are looking forward to telling this classic 17th century French tale through the lens of a contemporary aesthetic and an all female, primarly non-white cast to further bring into focus the inherent power of justice and equality over racism and sexism. Furthermore, by casting a Black woman in the central role of ARNOLPHE - a white man of power and privilege, who is forced to realize that he cannot control or snuff out ANYONE's humanity - we are shining a light on the ultimate absurdity of similar American systems of oppression.
Is it right to be treated as a weirdo just because you are Death incarnate? Even Death has feelings, and God forbid, even Death may die.
An old flame is reignited and a new desire is awaken when Hollywood Actress Adina J. Spencer returns back to New York. Soon she is forced to face her sexual past, confront her present identity, and admit her true love.
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