Amidst rising anti-Semitism in Billings, Montana, Rae, a 22 year-old descendant of Holocaust survivors uncovers the truth about a childhood accident.
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.
When a driven doctor doesn't get the prestigious position she planned for, she unexpectedly finds herself moving to a remote Alaskan town. While she meets the locals and even starts a new romance, she has to learn to let the life she planned for give way to a love she never could have imagined, and finds this festive small town is hiding one big holiday secret.
Anita grew up on the Seneca Indian reservation, and for the first time ever, she's bringing her partner Rachel to meet her parents.
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