Chicago-based writer/director Ron Lazzeretti (The Opera Lover, The Merry Gentleman) explores the complexities of modern relationships in this independent drama presented in four parts. The first segment, titled "Last Day" finds acrimony taking precedent over amenity during a farewell party for an employee who's about to move on. A bride and the priest who's officiating her wedding get an unpleasant surprise after running away together in "Wedding Night," and a woman on the CTA receives a spontaneous gift that transforms her outlook on the world (at least, momentarily) in "Flowers". Lastly, a family preparing for a big relocation finds the forces of the universe seemingly aligned against them in "Move".
A film about one woman's personal freedom and the price she pays to keep it.
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
A trio of interweaved transgressive tales, telling a bizarre stories of suburban patricide and a miraculous flight from justice, a mad sex experiment which unleashes a disfiguring plague, and the obsessive sexual relationship between two prison inmates.
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