An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Johanna can't find any friends. Not in the lecture hall, in the cafeteria or in the student club. That's why she creates a lie: she has cancer. Had she known what she was doing, she would rather have remained invisible forever.
During the day Paul works in a Berlin pet shop and in the evening he works on his career as a comedian. Things are going really badly until he cracks jokes about his best buddy Hotte and his girlfriend Susi. The audience goes wild with excitement! But Hotte and Susi are p* off. Paul has to decide: friendship or career?
Chris and Raffi two 16 year olds rebelling boredom, decide to break into an elderly woman's house. Instead of stealing something of worth, they decide to take the false teeth out of the sleeping woman's mouth. This leads to unexpected consequences...
Damiel is now married to Marion, runs the pizzeria “Da Angelo” and the two have a child. The solitarily remaining angel Cassiel is more and more dissatisfied with his destiny as a mere observer of human life and finally decides to take the great leap. As Karl Engel he soon gets into a dubious milieu and finds himself as the assistant of the German American Baker, who makes his money with shady arms deals and sends films east in exchange for weapons. Cassiel’s adventure turns into a “thriller” when he decides to put a stop to Baker’s game.
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